"The perfect summer read" (USA TODAY) begins with a shocking tragedy that results in three generations of the Adler family grappling with heartbreak, romance, and the weight of family secrets over the course of one summer.

*A New York Times Book Review Editors' Choice * One of USA TODAY's "Best Books of 2020" * One of Good Morning America's "25 Novels You'll Want to Read This Summer" * One of Parade's "26 Best Books to Read This Summer"

Atlantic City, 1934. Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to "America's Playground" and move into the small apartment above their bakery. Despite the cramped quarters, this is the apartment where they raised their two daughters, Fannie and Florence, and it always feels like home.

Now, Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams.

Esther only wants to keep her daughters close and safe but some matters are beyond her control: there's Fannie's risky pregnancy--not to mention her always-scheming husband, Isaac--and the fact that the handsome heir of a hotel notorious for its anti-Semitic policies, seems to be in love with Florence.

When tragedy strikes, Esther makes the shocking decision to hide the truth--at least until Fannie's baby is born--and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal.

"Readers of Emma Straub and Curtis Sittenfeld will devour this richly drawn debut family saga" (Library Journal) that's based on a true story and is a breathtaking portrayal of how the human spirit can endure--and even thrive--after tragedy.

Set amid Colorado's wild beauty, a heartbreaking coming-of-age story of a resilient young woman whose life is changed forever by one chance encounter. A tragic and uplifting novel of love and loss, family and survival--and hope--for readers of Great Circle, The Four Winds, and Where the Crawdads Sing

"Shelley Read's lyrical voice is a force of nature.... Completely unforgettable." --Bonnie Garmus, author of Lessons in Chemistry "A splendid American Gothic tale of a young woman broken by circumstances who must find a way to forgive before she can love."--Adriana Trigiani, author of The Good Left Undone Seventeen-year-old Victoria Nash runs the household on her family's peach farm in the small ranch town of Iola, Colorado--the sole surviving female in a family of troubled men. Wilson Moon is a young drifter with a mysterious past, displaced from his tribal land and determined to live as he chooses.Victoria encounters Wil by chance on a street corner, a meeting that profoundly alters both of their young lives, unknowingly igniting as much passion as danger. When tragedy strikes, Victoria leaves the only life she has ever known. She flees into the surrounding mountains where she struggles to survive in the wilderness with no clear notion of what her future will bring. As the seasons change, she also charts the changes in herself, finding in the beautiful but harsh landscape the meaning and strength to move forward and rebuild all that she has lost, even as the Gunnison River threatens to submerge her homeland--its ranches, farms, and the beloved peach orchard that has been in her family for generations. Inspired by true events surrounding the destruction of the town of Iola in the 1960s, Go as a River is a story of deeply held love in the face of hardship and loss, but also of finding courage, resilience, friendship, and, finally, home--where least expected. This stunning debut explores what it means to lead your life as if it were a river--gathering and flowing, finding a way forward even when a river is dammed.

A magnificent generational saga that charts a family's rise and fall, its secrets and inherited crimes, from one of Canada's most acclaimed novelists

Longlisted for the Scotiabank Giller Prize - "A rugged, riveting novel . . . This superb family saga will satisfy fans of Richard Powers's The Overstory."--Publishers Weekly (starred review)

"There are plenty of visionary moments laced into [Christie's] shape-shifting narrative. . . . Greenwood penetrates to the core of things."--The New York Times Book Review

It's 2038 and Jacinda (Jake) Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world's last remaining forests. It's 2008 and Liam Greenwood is a carpenter, sprawled on his back after a workplace fall, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple-syrup camp squat, when he hears the cries of an abandoned infant and gets tangled up in the web of a crime, secrets, and betrayal that will cling to his family for decades.

And throughout, there are trees: a steady, silent pulse thrumming beneath Christie's effortless sentences, working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood, and blood--and the hopeful, impossible task of growing toward the light.

A collection of refreshingly honest and hilarious essays from Southern Living columnist Elizabeth Passarella about navigating change--whether emotional or logistical--and staying sane during life's unexpected twists and turns.

After Elizabeth Passarella and her husband finally decided that it was time to sell their two-bedroom apartment in Manhattan, she found herself wondering, Is there a proper technique for skinning a couch? The couch in question was a beloved hand-me-down from her father--who had recently passed away--and she was surprisingly reluctant to let the nine-foot, plaid, velour-covered piece of furniture go. So, out came the scissors. She kept the fabric and tossed the couch.

We've all had to make decisions in our lives about what to keep and what to toss--habits, attitudes, friends, even homes. In this new collection of essays, Elizabeth explores the ups and downs of moving forward--both emotionally and logistically--with her welcome candor and sense of humor that readers have come to love. She enters into a remarkable (and strange) relationship with an elderly neighbor whose apartment she hopes to buy, examines her own stubborn stances on motherhood and therapy, and tries to come to terms with a family health crisis that brings more questions than answers. Along the way Elizabeth reminds readers that when they feel stuck or their load feels heavy, there is always light breaking in somewhere.

It Was an Ugly Couch Anyway will make readers laugh, cry, and feel a little less alone as they navigate their own lives that are filled with uncertainty, change, and things beyond their control.

NATIONAL BEST SELLER - A "gripping" new novel (People) from the best-selling author of Inheritance - "A haunting, moving, and propulsive exploration of family secrets." --Meg Wolitzer, best-selling author of The Interestings - On a summer night in 1985, three teenagers have been drinking. One of them gets behind the wheel of a car, and, in an instant, everything changes.

A TIME Best Fiction Book of the Year - A Washington Post Notable Work of Fiction - A Real Simple Best Book of the Year

Signal Fires opens on a summer night in 1985. Three teenagers have been drinking. One of them gets behind the wheel of a car, and, in an instant, everything on Division Street changes. Each of their lives, and that of Ben Wilf, a young doctor who arrives on the scene, is shattered. For the Wilf family, the circumstances of that fatal accident will become the deepest kind of secret, one so dangerous it can never be spoken.

On Division Street, time has moved on. When the Shenkmans arrive--a young couple expecting a baby boy--it is as if the accident never happened. But when Waldo, the Shenkmans' brilliant, lonely son who marvels at the beauty of the world and has a native ability to find connections in everything, befriends Dr. Wilf, now retired and struggling with his wife's decline, past events come hurtling back in ways no one could ever have foreseen.

In Dani Shapiro's first work of fiction in fifteen years, she returns to the form that launched her career, with a riveting, deeply felt novel that examines the ties that bind families together--and the secrets that can break them apart. Signal Fires is a work of haunting beauty by a masterly storyteller.

New York Times Bestseller A Read with Jenna Today Show Book Club Pick A New York Times Book Review Notable Book TIME Magazine's 100 Must-Read Books of the Year

Named one of the Best Books of the Year by NPR, the Washington Post; O: The Oprah Magazine, Real Simple, Good Housekeeping, Vogue, Refinery29, and Buzzfeed

Ann Patchett, the #1 New York Times bestselling author of Commonwealth, delivers her most powerful novel to date: a richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are.

At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.

The story is told by Cyril's son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures.

Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they're together. Throughout their lives they return to the well-worn story of what they've lost with humor and rage. But when at last they're forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

The author of Florence Adler Swims Forever returns with a masterful work of historical fiction about an incendiary tragedy that shocked a young nation and tore apart a community in a single night--told from the perspectives of four people whose actions during the inferno changed the course of history.

Richmond, Virginia 1811. It's the height of the winter social season, the General Assembly is in session, and many of Virginia's gentleman planters, along with their wives and children, have made the long and arduous journey to the capital in hopes of whiling away the darkest days of the year. At the city's only theater, the Charleston-based Placide & Green Company puts on two plays a night to meet the demand of a populace that's done looking for enlightenment at the front of a church.

On the night after Christmas, the theater is packed with more than six hundred holiday revelers. In the third-floor boxes, sits newly-widowed Sally Henry Campbell, who is glad for any opportunity to relive the happy times she shared with her husband. One floor away, in the colored gallery, Cecily Patterson doesn't give a whit about the play but is grateful for a four-hour reprieve from a life that has recently gone from bad to worse. Backstage, young stagehand Jack Gibson hopes that, if he can impress the theater's managers, he'll be offered a permanent job with the company. And on the other side of town, blacksmith Gilbert Hunt dreams of one day being able to bring his wife to the theater, but he'll have to buy her freedom first.

When the theater goes up in flames in the middle of the performance, Sally, Cecily, Jack, and Gilbert make a series of split-second decisions that will not only affect their own lives but those of countless others. And in the days following the fire, as news of the disaster spreads across the United States, the paths of these four people will become forever intertwined.

Based on the true story of Richmond's theater fire, The House Is on Fire offers proof that sometimes, in the midst of great tragedy, we are offered our most precious--and fleeting--chances at redemption.

NEW YORK TIMES BEST SELLER - A TODAY SHOW #ReadWithJenna BOOK CLUB PICK - A transporting, irresistible debut novel that takes its heroine, Cristabel Seagrave, from a theatre made of whalebones to covert operations during World War II--a story of love, family, bravery, lost innocence, and self-transformation.

"The Whalebone Theatre is absolute aces...Quinn's imagination and adventuresome spirit are a pleasure to behold." --The New York Times

"Utterly heartbreaking and joyous...I just disappeared into The Whalebone Theatre and didn't want to leave." --Jo Baker, author of Longbourn

One blustery night in 1928, a whale washes up on the shores of the English Channel. By law, it belongs to the King, but twelve-year-old orphan Cristabel Seagrave has other plans. She and the rest of the household--her sister, Flossie; her brother, Digby, long-awaited heir to Chilcombe manor; Maudie Kitcat, kitchen maid; Taras, visiting artist--build a theatre from the beast's skeletal rib cage. Within the Whalebone Theatre, Cristabel can escape her feckless stepparents and brisk governesses, and her imagination comes to life.

As Cristabel grows into a headstrong young woman, World War II rears its head. She and Digby become British secret agents on separate missions in Nazi-occupied France--a more dangerous kind of playacting, it turns out, and one that threatens to tear the family apart.

Winner of the Gold Dagger for Best Crime Novel from the Crime Writers' Association (UK)
Winner for Best International Crime Fiction from Australian Crime Writers Association
An Instant New York Times Bestseller

"A vibrant, engrossing, unputdownable thriller that packs a serious emotional punch. One of those rare books that surprise you along the way and then linger in your mind long after you have finished it."
--Kristin Hannah, #1 New York Times bestselling author of The Nightingale and The Four Winds

Right. Wrong. Life is lived somewhere in between.

Duchess Day Radley is a thirteen-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids.

Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he's still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother.

Now, thirty years later, Vincent is being released. And Duchess and Walk must face the trouble that comes with his return. Chris Whitaker's We Begin at the End is an extraordinary novel about two kinds of families--the ones we are born into and the ones we create.