An Entertainment Weekly Pick of Summer's Best New Books

Wren's closest friend, her anchor since childhood, is dead. Stewart Beasley. Gone. She can't quite believe it and she definitely can't bring herself to google what causes an aneurysm. Instead of weeping or facing reality, Wren has been dreaming up the perfect funeral plans, memorial buffets, and processional songs for everyone from the corner bodega owner to her parents (none of whom show signs of imminent demise).

Stewart was a rising TV star, who--for reasons Wren struggles to understand--often surrounded himself with sycophants, amusing in his life, but intolerable in his death. When his icy mother assigns Wren the task of disseminating his possessions alongside George (Stewart's maddening, but oddly charming lawyer), she finds herself at the epicenter of a world in which she wants no part, where everyone is competing to own a piece of Stewart's memory (sometimes literally).

Remembering the boy Stewart was and investigating the man he became, Wren finds herself wondering, did she even know this person who she once considered an extension of herself? Can you ever actually know anyone? How well does she really know herself?

Through laughter and tears, Nora Zelevansky's Competitive Grieving shines a light on the universal struggle to grieve amidst the noise, to love with a broken heart, and to truly know someone who is gone forever.

Thirty-six-year-old Sophie Stanton wants to be a good widow--a graceful, composed, Jackie Kennedy kind of widow. Alas, she's been drowning her sorrows in ice cream and showing up to work in her bunny slippers and bathrobe. Determined to start over, she moves to Ashland, Oregon, where she finds herself in the middle of a darkly madcap adventure involving a 13-year-old pyromaniac and an alarmingly handsome actor who inspires a range of feelings she can't cope with--yet.

LONGLISTED FOR THE NATIONAL BOOK AWARD - LONGLISTED FOR THE ANDREW CARNEGIE MEDAL

ONE OF THE TEN BEST BOOKS OF THE YEAR: People
ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Oprah Daily, The Washington Post, The Boston Globe, Esquire, Vulture, She Reads, Book Riot, Publishers Weekly

One spring morning, Kathryn Schulz went to lunch with a stranger and fell in love. Having spent years looking for the right relationship, she was dazzled by how swiftly everything changed when she finally met her future wife. But as the two of them began building a life together, Schulz's beloved father--a charming, brilliant, absentminded Jewish refugee--went into the hospital with a minor heart condition and never came out. Newly in love yet also newly bereft, Schulz was left contending simultaneously with wild joy and terrible grief.

Those twin experiences form the heart of Lost & Found, a profound meditation on the families that make us and the families we make. But Schulz's book also explores how disappearance and discovery shape us all. On average, we each lose two hundred thousand objects over our lifetime, and Schulz brilliantly illuminates the relationship between those everyday losses and our most devastating ones. Likewise, she explores the importance of seeking, whether for ancient ruins or new ideas, friends, faith, meaning, or love. The resulting book is part memoir, part guidebook to sustaining wonder and gratitude even in the face of loss and grief. A staff writer at The New Yorker and winner of the Pulitzer Prize, Schulz writes with curiosity, tenderness, and humor about the connections between joy and sorrow--and between us all.

An inspiring memoir of life, love, loss, and new beginnings by the widower of bestselling children's author and filmmaker Amy Krouse Rosenthal, whose last of act of love before her death was setting the stage for her husband's life without her in the viral New York Times Modern Love column, "You May Want to Marry My Husband."

On March 3, 2017, Amy Krouse Rosenthal penned an op-ed piece for the New York Times' "Modern Love" column --"You May Want to Marry My Husband." It appeared ten days before her death from ovarian cancer. A heartbreaking, wry, brutally honest, and creative play on a personal ad--in which a dying wife encouraged her husband to go on and find happiness after her demise--the column quickly went viral, reaching more than five million people worldwide.

In My Wife Said You May Want to Marry Me, Jason describes what came next: his commitment to respecting Amy's wish, even as he struggled with her loss. Surveying his life before, with, and after Amy, Jason ruminates on love, the pain of watching a loved one suffer, and what it means to heal--how he and their three children, despite their profound sorrow, went on. Jason's emotional journey offers insights on dying and death and the excruciating pain of losing a soulmate, and illuminates the lessons he learned.

As he reflects on Amy's gift to him--a fresh start to fill his empty space with a new story--Jason describes how he continues to honor Amy's life and her last wish, and how he seeks to appreciate every day and live in the moment while trying to help others coping with loss. My Wife Said You May Want to Marry Me is the poignant, unreserved, and inspiring story of a great love, the aftermath of a marriage ended too soon, and how a surviving partner eventually found a new perspective on life's joys in the wake of tremendous loss.

Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page--and never without touches of rich, honest humor--Adichie weaves together her own experience of her father's death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he'd stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria.

In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book--a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment--a work readers will treasure and share now more than ever--and yet will prove durable and timeless, an indispensable addition to Adichie's canon.

After his father died on 9/11 in the World Trade Center, nine-year-old Matthew John Bocchi began an obsessive quest to find out exactly how he died. He researched video tapes, pictures, blogs, anything that could potentially answer the question looming in his mind: was his father one of the jumpers? In the first memoir told by a child of 9/11, Matt intimately delves into the psychological and emotional torment that ensued after his father's death. With heartbreaking vulnerability, he details how his incessant quest resulted in a devastating act of violence that stripped his innocence as a young man. As Matt spirals down a bottomless pit of drug abuse, he willfully risks his life in search of the next high--all in an attempt to forget his past.

Now at twenty-eight years old and sober, he recounts his unique story--one full of heartbreak and despair, grief and uncertainty, but most importantly, happiness and hope. The lesson he teaches us is clear but intricate: No matter how far you fall, you can always rise again. No matter how far you stray, you can always find your way home. And no matter how wide you sway, you can always pick up the pieces and stand tall.

"This is perhaps one of the most important books about grief ever written. It finally dispels the myth that we are all supposed to get over the death of a loved one."--Claire Bidwell Smith, author of Anxiety: The Missing Stage of Grief

Aren't you over it yet? Anyone who has experienced a major loss in their past knows this question. We've spent years fielding versions of it, both explicit and implied, from family, colleagues, acquaintances, and friends. We recognize the subtle cues--the slight eyebrow lift, the soft, startled "Oh! That long ago?"--from those who wonder how an event so far in the past can still occupy so much precious mental and emotional real estate.

Because of the common but false assumption that grief should be time-limited, too many of us believe we're grieving "wrong" when sadness suddenly resurges sometimes months or even years after a loss. The AfterGrief explains that the death of a loved one isn't something most of us get over, get past, put down, or move beyond. Grief is not an emotion to pass through on the way to "feeling better." Instead, grief is in constant motion; it is tidal, easily and often reactivated by memories and sensory events, and is re-triggered as we experience life transitions, anniversaries, and other losses. Whether we want it to or not, grief gets folded into our developing identities, where it informs our thoughts, hopes, expectations, behaviors, and fears, and we inevitably carry it forward into everything that follows.

Drawing on her own encounters with the ripple effects of early loss, as well as on interviews with dozens of researchers, therapists, and regular people who've been bereaved, New York Times bestselling author Hope Edelman offers profound advice for reassessing loss and adjusting the stories we tell ourselves about its impact on our identities. With guidance for reframing a story of loss, finding equilibrium within it, and even experiencing renewed growth and purpose in its wake, she demonstrates that though grief is a lifelong process, it doesn't have to be a lifelong struggle.

"Sara Seager's exploration of outer and inner space makes for a stunningly original memoir."--Abraham Verghese, author of Cutting for Stone

Sara Seager has always been in love with the stars: so many lights in the sky, so much possibility. Now a pioneering planetary scientist, she searches for exoplanets--especially that distant, elusive world that sustains life. But with the unexpected death of Seager's husband, the purpose of her own life becomes hard for her to see. Suddenly, at forty, she is a widow and the single mother of two young boys. For the first time, she feels alone in the universe.

As she struggles to navigate her life after loss, Seager takes solace in the alien beauty of exoplanets and the technical challenges of exploration. At the same time, she discovers earthbound connections that feel every bit as wondrous, when strangers and loved ones alike reach out to her across the space of her grief. Among them are the Widows of Concord, a group of women offering advice on everything from home maintenance to dating, and her beloved sons, Max and Alex. Most unexpected of all, there is another kind of one-in-a-billion match, not in the stars but here at home.

Probing and invigoratingly honest, The Smallest Lights in the Universe is its own kind of light in the dark.

NEW YORK TIMES BESTSELLER - NATIONAL BOOK AWARD WINNER - From one of America's iconic writers, a stunning book of electric honesty and passion that explores an intensely personal yet universal experience: a portrait of a marriage--and a life, in good times and bad--that will speak to anyone who has ever loved a husband or wife or child.

Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later--the night before New Year's Eve--the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma.

This powerful book is Didion' s attempt to make sense of the "weeks and then months that cut loose any fixed idea I ever had about death, about illness ... about marriage and children and memory ... about the shallowness of sanity, about life itself.

"A wonderful book, a story of the heart told by a writer with soul."--Los Angeles Times

"The most important thing in life is to learn how to give out love, and to let it come in."

Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it.

For Mitch Albom, that person was his college professor Morrie Schwartz.

Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn't you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger?

Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final "class" lessons in how to live. "The truth is, Mitch," he said, "once you learn how to die, you learn how to live."

Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie's lasting gift with the world.

Alexandra "Al" Silber seems to have everything a teenager could want: brilliance, beauty, and talent in spades. But when her beloved father dies after a decade-long battle with cancer when she is just a teenager, it feels like the end of everything. Lost in grief, Al and her mother hardly know where to begin with the rest of their lives.

Into this grieving house burst Al's three friends from theater camp, determined to help out as only drama students know how--and they're moving in for the duration. Over the course of that winter, the now five-strong household will do battle with everything Death can throw at them--meddling relatives, merciless bureaucracy, soul-sapping sadness, the endless Tupperware. They will learn (almost) everything about love and will eventually return to the world, altered in different ways by their time in a home by a river.

Told with raw passion, candor, and wit, White Hot Grief Parade is an ode to the restorative power of family and friendship--and the unbreakable bond, even in death, between father and daughter.