At the Hour Between Dog and Wolf is the story of a twelve-year-old Parisian Jewish girl in World War II France, living "in hiding" as a Catholic orphan with a family in a small village.
When Danielle Marton's father is killed during the early days of the German Occupation, her mother sends her to live in a quiet farming town near Limoges in Vichy France. Now called Marie-Jeanne Chantier, Danielle struggles to balance the truth of what's happened to her family and her country with the lies she must tell to keep herself safe. At first, she's bitter about being left behind by her mother, and horrified at having to milk the cow and memorize Catholic prayers for church. But as the years pass and the Occupation worsens, Danielle finds it easier to suppress her former life entirely, and Marie-Jeanne becomes less and less of an act. By the time she's fifteen and there is talk amongst the now divided town of an Allied invasion, not only has Danielle lost the memories of her father's face and the smell of her mother's perfume, but her very self, transforming into a strict Catholic and an anti-Semitic, fervent disciple of fascism.
No one, though, alienates Leah more than her mother, Helen. Estranged yet intertwined, they struggle within the confines of their personalities, unaware of how similar their paths are. Just when they seem at a lonely impasse, each makes an impulsive change--Leah taking a risky trip abroad, Helen renting a secret room in a welfare hotel. Jolted from their old patterns, the two of them independently glimpse the possibility of a more hopeful life.
Dylan Landis is a gifted portraitist of unforgettable female characters. Normal People Don't Live Like This is a striking debut.
Queen Sugar is a page-turning, heart-breaking novel of the new south, where the past is never truly past, but the future is a hot, bright promise. This is a story of family and the healing power of our connections--to each other, and to the rich land beneath our feet.
--Tayari Jones, author of An American Marriage
Readers, booksellers, and critics alike are embracing Queen Sugar and cheering for its heroine, Charley Bordelon, an African American woman and single mother struggling to build a new life amid the complexities of the contemporary South. When Charley unexpectedly inherits eight hundred acres of sugarcane land, she and her eleven-year-old daughter say goodbye to smoggy Los Angeles and head to Louisiana. She soon learns, however, that cane farming is always going to be a white man's business. As the sweltering summer unfolds, Charley struggles to balance the overwhelming challenges of a farm in decline with the demands of family and the startling desires of her own heart.
A New York Times Book Review Editors' Choice
Part memoir and part literary true crime, Tell Me Everything is the mesmerizing story of a landmark sexual assault investigation and the female private investigator who helped crack it open. Erika Krouse has one of those faces. "I don't know why I'm telling you this," people say, spilling confessions. In fall 2002, Erika accepts a new contract job investigating lawsuits as a private investigator. The role seems perfect for her, but she quickly realizes she has no idea what she's doing. Then a lawyer named Grayson assigns her to investigate a sexual assault, a college student who was attacked by football players and recruits at a party a year earlier. Erika knows she should turn the assignment down. Her own history with sexual violence makes it all too personal. But she takes the job anyway, inspired by Grayson's conviction that he could help change things forever. And maybe she could, too. Over the next five years, Erika learns everything she can about P. I. technique, tracking down witnesses and investigating a culture of sexual assault and harassment ingrained in the university's football program. But as the investigation grows into a national scandal and a historic civil rights case that revolutionizes Title IX law, Erika finds herself increasingly consumed. When the case and her life both implode at the same time, Erika must figure out how to help win the case without losing herself.Everywhere hailed as a novel of rare beauty and power, White Oleander tells the unforgettable story of Ingrid, a brilliant poet imprisoned for murder, and her daughter, Astrid, whose odyssey through a series of Los Angeles foster homes-each its own universe, with its own laws, its own dangers, its own hard lessons to be learned-becomes a redeeming and surprising journey of self-discovery.
"Story of a Poem is the luminous, lyrical meditation on wringing beauty from suffering and air, threaded with a singular, moving story about parenting an atypical child. I read it in a single gulp, and you will too." --Mary Karr, Bestselling author of The Liars' Club and Cherry
Matthew Zapruder had an idea: to write a poem as slowly and intentionally as possible, to preserve its drafts, and record the painstaking, elusively transcendent stuff of its construction. It would be the end cap to a new collection of poetry, and a means to process modern American life in a time of political turmoil, mega fires, and sobriety. What Zapruder didn't anticipate was that this literary project would reveal a deeply personal aspect as well: a way to resolve the unexplored pain and unexpected joys he was confronting in the wake of his son's diagnosis with autism.The result is a remarkable piece of writing, one that explores not just what it means to be a poet and father, but also what it means to be alive on this planet during this turbulent and extraordinary time. By comparing the writing of a poem with his own tangled evolution as a son, husband and father, Zapruder unfolds moments of his own life in the reflection of an increasingly uncanny world. With a wide range of reference points-- from Celan, Li Bai and Frank O'Hara to Whitman, Merwin and Rupi Kaur--we join Zapruder on a poet's journey; that in some alchemy of literature, becomes a journey of our own.Ultimately, the poet asks us to join with him in the search for a crucial answer. In his words: "What world can we imagine, and then make, where we all can live?" With Story of a Poem celebrated poet Matthew Zapruder offers a personal, deeply unguarded examination of a poet's eternal struggle to transform a moment of feeling into verse, as well as a subtle and enthralling roadmap to the practice of poetry and finding its threads in everyday life."Arresting and powerful, Flight examines the possibility and pain of fierce love and hope in our time of looming existential threats." -- Lily King, New York Times bestselling author of Writers & Lovers
"Suspenseful, dazzling and moving." -- Rumaan Alam, New York Times bestselling author of Leave the World Behind
It's December twenty-second and siblings Henry, Kate, and Martin have converged with their spouses on Henry's house in upstate New York. This is the first Christmas the siblings are without their mother, the first not at their mother's Florida house. Over the course of the next three days, old resentments and instabilities arise as the siblings, with a gaggle of children afoot, attempt to perform familiar rituals, while also trying to decide what to do with their mother's house, their sole inheritance. As tensions rise, the whole group is forced to come together unexpectedly when a local mother and daughter need help.
With the urgency and artfulness that cemented her previous novel Want as "a defining novel of our age" (Vulture), Strong once again turns her attention to the structural and systemic failings that are haunting Americans, but also to the ways in which family, friends, and strangers can support each other through the gaps. Flight is a novel of family, ambition, precarity, art, and desire, one that forms a powerful next step from a brilliant chronicler of our time.
A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager's practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife's nursing-home romance. Hateship, Friendship, Courtship, Loveship, Marriage is Munro at her best, tirelessly observant, serenely free of illusion, deeply and gloriously humane.
A BEST BOOK OF THE YEAR: Library Journal, Electric Literature, The New York Public Library, PopMatters
A Finalist for the Los Angeles Times Book Prize and the Story Prize
National Book Award finalist Sarah Shun-lien Bynum's highly anticipated return weaves together like and unlike, mythic and modern
"Fiction lovers, remember this name: Olive Kitteridge. . . . You'll never forget her."--USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World - USA Today - San Francisco Chronicle - Chicago Tribune - Seattle Post-Intelligencer - People - Entertainment Weekly - The Christian Science Monitor - The Plain Dealer - The Atlantic - Rocky Mountain News - Library Journal At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn't always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive's own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse. As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life--sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition--its conflicts, its tragedies and joys, and the endurance it requires. The inspiration for the Emmy Award-winning HBO miniseries starring Frances McDormand, Richard Jenkins, and Bill Murray
A ruthless dissection of American life in the late 1960s, Joan Didion's Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader.
Set in a place beyond good and evil---literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul---it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.Ned is also an heir--to a chain of home-style diners--and while he doesn't have a head for business, he knows his family's chain could provide a better future than his wife's fading restaurant. In the aftermath of a devastating tragedy, Ned and Mariel lose almost everything they hold dear, and the hard-won victories of each family hang in the balance. With their dreams dashed, can one fractured family find a way to rebuild despite their losses, and will the Lakeside Supper Club be their salvation?
In this colorful, vanishing world of relish trays and brandy Old Fashioneds, J. Ryan Stradal has once again given us a story full of his signature honest, lovable yet fallible Midwestern characters as they grapple with love, loss, and marriage; what we hold onto and what we leave behind; and what our legacy will be when we are gone.
Celebrated, iconic, and indispensable, Joan Didion's first work of nonfiction, Slouching Towards Bethlehem, is considered a watershed moment in American writing. First published in 1968, the collection was critically praised as one of the "best prose written in this country."
More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion's focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture. As Joyce Carol Oates remarked: "[Didion] has been an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control."