In this novel "full of music, magnetism, and familial obligation" (Emma Straub, author of All Adults Here) a dying billionaire matriarch leaks news of her death early so she can examine her legacy--a decision that horrifies her children and inadvertently exposes secrets she has spent a lifetime keeping.

Dava Shastri, one of the world's wealthiest women, has always lived with her sterling reputation in mind. A brain cancer diagnosis at the age of seventy, however, changes everything, and Dava decides to take her death--like all matters of her life--into her own hands.

Summoning her four adult children to her private island, she discloses shocking news: in addition to having a terminal illness, she has arranged for the news of her death to break early, so she can read her obituaries.

As someone who dedicated her life to the arts and the empowerment of women, Dava expects to read articles lauding her philanthropic work. Instead, her "death" reveals two devastating secrets, truths she thought she had buried forever.

And now the whole world knows, including her children.

In the time she has left, Dava must come to terms with the decisions that have led to this moment--and make peace with those closest to her before it's too late. Compassionately written and chock-full of humor and heart, this powerful novel examines public versus private legacy, the complexities of love, and the never-ending joys--and frustrations--of family.

Includes a Reading Group Guide.

A Good Morning America and Lilly Singh's Lilly Library Book Club pick

Most anticipated in fall 2021 by TIME, The Washington Post, Bustle, Goodreads, and Debutiful - An Indie Next Pick - A Publishers Marketplace Buzz Book for Fall/Winter 2021 - Longlisted for the 2021 Center for Fiction First Novel Prize

It's 2003, and artist Dawn Levit is stuck. A bookbinder who works in conservation at the Met, she spends her free time scouting the city's street art, hoping something might spark inspiration. Instead, everything looks like a dead end. And art isn't the only thing that feels wrong: wherever she turns, her gender identity clashes with the rest of her life. Her relationship, once anchored by shared queerness, is falling apart as her boyfriend Lukas increasingly seems to be attracted to Dawn only when she's at her most masculine. Meanwhile at work, Dawn has to present as female, even on the days when that isn't true. Either way, her difference feels like a liability.

Then, one day at work, Dawn finds something hidden behind the endpaper of an old book: the torn-off cover of a '50s lesbian pulp novel, Turn Her About. On the front is a campy illustration of a woman looking into a handheld mirror and seeing a man's face. And on the back is a love letter.

Dawn latches onto the coincidence, becoming obsessed with tracking down the note's author. Her fixation only increases when her best friend Jae is injured in a hate crime, for which Dawn feels responsible. As Dawn searches for the letter's author, she is also looking for herself. She tries to understand how to live in a world that doesn't see her as she truly is, how to get unstuck in her gender, and how to rediscover her art, and she can't shake the feeling that the note's author might be able to help guide her to the answers.

A sharply written, deeply evocative story about what it means to live authentically--even within an identity whose parameters have not yet been defined--Endpapers will appeal to readers of queer, nonbinary, or trans fiction like Torrey Peters' Detransition, Baby as well as anyone who loves character-driven, setting-rich stories like Tell the Wolves I'm Home or The Immortalists.

David is a young American expatriate who has just proposed marriage to his girlfriend, Hella. While she is away on a trip, David meets a bartender named Giovanni to whom he is drawn in spite of himself. Soon the two are spending the night in Giovanni's curtainless room, which he keeps dark to protect their privacy. But Hella's return to Paris brings the affair to a crisis, one that rapidly spirals into tragedy.

David struggles for self-knowledge during one long, dark night--"the night which is leading me to the most terrible morning of my life." With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a deeply moving story of death and passion that reveals the unspoken complexities of the human heart.

When Amelia Possanza moved to Brooklyn to build a life of her own, she found herself surrounded by queer stories: she read them on landmark placards, overheard them on the pool deck when she joined the world's largest LGBTQ swim team, and even watched them on TV in her cockroach-infested apartment. These stories inspired her to seek out lesbians throughout history who could become her role models, in romance and in life.

Centered around seven love stories for the ages, this is Possanza's journey into the archives to recover the personal histories of lesbians in the twentieth century: who they were, how they loved, why their stories were destroyed, and where their memories echo and live on. Possanza's hunt takes readers from a drag king show in Bushwick to the home of activists in Harlem and then across the ocean to Hadrian's Library, where she searches for traces of Sappho in the ruins. Along the way, she discovers her own love--for swimming, for community, for New York City--and adds her record to the archive.

At the heart of this riveting, inventive history, Possanza asks: How could lesbian love help us reimagine care and community? What would our world look like if we replaced its foundation of misogyny with something new, with something distinctly lesbian?

"Go get lost somewhere, it always does you good."

For Arthur Less, life is going surprisingly well: he is a moderately accomplished novelist in a steady relationship with his partner, Freddy Pelu. But nothing lasts: the death of an old lover and a sudden financial crisis has Less running away from his problems yet again as he accepts a series of literary gigs that send him on a zigzagging adventure across the US.

Less roves across the "Mild Mild West," through the South and to his mid-Atlantic birthplace, with an ever-changing posse of writerly characters and his trusty duo - a human-like black pug, Dolly, and a rusty camper van nicknamed Rosina. He grows a handlebar mustache, ditches his signature gray suit, and disguises himself in the bolero-and-cowboy-hat costume of a true "Unitedstatesian"... with varying levels of success, as he continues to be mistaken for either a Dutchman, the wrong writer, or, worst of all, a "bad gay."

We cannot, however, escape ourselves--even across deserts, bayous, and coastlines. From his estranged father and strained relationship with Freddy, to the reckoning he experiences in confronting his privilege, Arthur Less must eventually face his personal demons. With all of the irrepressible wit and musicality that made Less a bestselling, Pulitzer Prize-winning, must-read breakout book, Less Is Lost is a profound and joyous novel about the enigma of life in America, the riddle of love, and the stories we tell along the way.

"Hilarious, suspenseful, and whip smart."
--Cynthia D'Aprix Sweeney

Meet the Harrisons!
A mother running for Senate, a son running from his problems, and a daughter running straight into trouble...

Nancy Harrison is running for Senate, and she's going to win, goddamnit. Not that that's her slogan, although it could be. She's said all the right things. Passed all the right legislation. Chapped her lips kissing babies. There's just one problem: her grown children.

Greta and Nick Harrison are adrift. Nick is floundering in his attempts to write a musical about the life of Joan Didion (called Hello to All That!). And then there's his little sister Greta. Smart, pretty, and completely unmotivated, allowing her life to pass her by like the shoppers at the Apple store where she works.

One morning the world wakes up not to Nancy making headlines, but her daughter, Greta. She's in Paris. With extremist protestors. Throwing a bottle of champagne through a beloved bistro's front window. In order to save her campaign, not to mention her daughter, Nancy and Nick must find Greta before it's too late.

Smart, funny, and surprisingly tender, Let's Not Do That Again shows that family, like politics, can hurt like a mother.

Emmy Harlow is a witch but not a very powerful one--in part because she hasn't been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams.

But when a spellcasting tournament that her family serves as arbiters for approaches, it turns out the pull of tradition (or the truly impressive parental guilt trip that comes with it) is strong enough to bring Emmy back. She's determined to do her familial duty; spend some quality time with her best friend, Linden Thorn; and get back to her real life in Chicago.

On her first night home, Emmy runs into Talia Avramov--an all-around badass adept in the darker magical arts--who is fresh off a bad breakup . . . with Gareth Blackmoore. Talia had let herself be charmed, only to discover that Gareth was also seeing Linden--unbeknownst to either of them. And now she and Linden want revenge. Only one question stands: Is Emmy in?

But most concerning of all: Why can't she stop thinking about the terrifyingly competent, devastatingly gorgeous, wickedly charming Talia Avramov?

The acclaimed author of The Serpent's Gift returns with this gripping and powerful novel of healing, redemption, and love, following a queer Black woman who works to stay clean, pull her life together, and heal after being released from prison.

Ranita Atwater is "getting short."

She is almost done with her four-year sentence for opiate possession at Oak Hills Correctional Center. With three years of sobriety, she is determined to stay clean and regain custody of her two children.

My name is Ranita, and I'm an addict, she has said again and again at recovery meetings. But who else is she? Who might she choose to become? As she claims the story housed within her pomegranate-like heart, she is determined to confront the weight of the past and discover what might lie beyond mere survival.

Ranita is regaining her freedom, but she's leaving behind her lover Maxine, who has inspired her to imagine herself and the world differently. Now she must steer clear of the temptations that have pulled her down, while atoning for her missteps and facing old wounds. With a fierce, smart, and sometimes funny voice, Ranita reveals how rocky and winding the path to wellness is for a Black woman, even as she draws on family, memory, faith, and love in order to choose life.

Perfect for fans of Jesmyn Ward and Yaa Gyasi, Pomegranate is a complex portrayal of queer Black womanhood and marginalization in America: a story of loss, healing, redemption, and strength. In lyrical and precise prose, Helen Elaine Lee paints a humane and unflinching portrait of the devastating effects of incarceration and addiction, and of one woman's determination to tell her story.

A candid memoir of denial, stolen identities, betrayal, faking it, and coming out.

Do you know me?, the email began, sparking tremors of fear that turned into a full quake of panic when William Dameron discovered that his selfie had been stolen by strangers. On social networks and dating sites, his image and identity--a forty-year-old straight white male--had been used to hook countless women into believing in lies of love and romance. Was it all an ironic cosmic joke? Almost a decade prior, William himself had been living a lie that had lasted for more than twenty years. His secret? He was a gay man, a fact he hid from his wife and two daughters for almost as long as he had hidden it from himself.

In this emotional and unflinchingly honest memoir of coming out of the closet late in life, owning up to the past, and facing the future, William Dameron confronts steroid addiction, the shame and homophobia of his childhood, the sledgehammer of secrets that slowly tore his marriage apart, and his love for a gay father of three that would once again challenge the boundaries of trust. At the true heart of The Lie is a universal story about turning self-doubt into self-acceptance and about pain, anger, and the long journey of both seeking and giving forgiveness.